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First Review of Whedon's Dollhouse

Kristen at TV Guide has seen the pilot for Joss Whedon's Dollhouse. Here's what she had to say:
What's it about?

The logline don't lie: "Echo (Eliza Dushku) is a young woman who is literally everybody's fantasy. She is one of a group of men and women who can be imprinted with personality packages, including memories, skills, language—even muscle memory—for different assignments. The assignments can be romantic, adventurous, outlandish, uplifting, sexual and/or very illegal. When not imprinted with a personality package, Echo and the others are basically mind-wiped, living like children in a futuristic dorm/lab dubbed the Dollhouse, with no memory of their assignments—or of much else. The show revolves around the childlike Echo's burgeoning self-awareness, and her desire to know who she was before, a desire that begins to seep into her various imprinted personalities and puts her in danger both in the field and in the closely monitored confines of the Dollhouse."

What's it like?

Dollhouse is like The Bourne Identity meets Stepford Wives meets boarding school meets Los Angeles neo-noir meets the Whedonverse. In short, it's rad, man.

*****

Is Echo just a new name for Faith?

That's a negatory. Echo has a genius for contemplation and self-awareness that Faith couldn't begin to approach. Echo also has about 48 different faces to show the world, which gives her a good head start on Faith, who seemed to vary primarily between rage and desolation. In the first episode, we are shown that Echo is essentially like the Scarecrow from The Wizard of Oz—"If I only had a brain..."—but she's otherwise fully equipped with a soul, a rockin' bod, and a good, fearless heart.
What's not to like?

Posted on 2008-04-18





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